What Material Shouldl You Use for an Art Critique Board

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An art critique is a detailed analysis and evaluation of a work of art. While no two people will feel the same reaction to a work of art, or interpret it the aforementioned way, there are a few basic guidelines you can follow to accomplish a thoughtful, thorough critique. The basic elements of an art critique are clarification, assay, interpretation, and judgment.

1. 1

   Gather bones information about the work. This is the sort of matter you'd detect on a museum or gallery characterization, or in the caption in an art book. Knowing the background of a piece tin can make a large difference in how yous interpret and understand it. Start your critique by providing the following information:

   • Championship of the work
   • Artist'due south name
   • When the piece was created
   • Where it was fabricated
   • The types of media used to create the piece of work (e.g., oil paint on canvas)
   • The verbal size of the piece of work

2. ii

   Describe what yous encounter. Using neutral terms, depict the artwork. Your clarification should include things like the form and scale of the work. If the fine art depicts figures or objects rather than abstract shapes, depict what is represented.^[1]

   • For case, you might say, "This is a pocket-sized-scale portrait painting of a young woman, shown from the mid-torso upwards, against a dark background. She is clasping her easily in front end of her chest and looking upwardly and slightly to the viewer'southward correct. She wears a pink dress, and a long veil that falls behind her head."
   • Avoid using terms like "cute," "ugly," "skillful," or "bad." At this point, y'all're just talking about what you run into, not judging the art!

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3. 3

   Hash out the elements of the piece of work. Now draw the work in more item. Talk about the way the art uses these 5 basic elements of fine art and pattern: line, color, space, lite, and shape.^[2]

4. 4

   Describe the use of line. Lines in a work of art can be either literal or unsaid. Different types of lines can create unlike moods or effects. For case:^[3]

   • Curved lines can create a calming effect, while jagged lines might feel harsher and wild, or create a sense of energy.
   • Rough, sketchy lines create a sense of movement and freedom, while smooth, solid lines feel more all the same and carefully planned.
   • A line of sight or action might exist suggested by the system of figures and objects within a scene. For example, a group of figures all looking or pointing the same way can create an implied line that draws your middle through the work in a detail direction.

5. 5

   Talk nigh how color is used in the piece of work. Brand note of characteristics like hue (red, green, bluish, etc.), value (lightness or darkness), and intensity. Look at overall color schemes, and think almost how the colors work together.^[iv]

   • For example, do the colors clash, or are they harmonious? Does the work use a variety of colors, or is it monochromatic (all shades of blue, for example)?

6. six

   Describe the use of space in the work. "Infinite" refers to the areas around and between objects in a piece of work. When talking nearly infinite, focus on things like depth and perspective, overlapping of objects, and the use of empty space versus space crowded with details.^[5]

   • If you are describing a two-dimensional work of art, similar a painting, talk about whether or not the work creates the illusion of three-dimensional space and depth.

7. vii

   Describe the use of light in the work. Light in a piece of work of fine art can expect warm or absurd, vivid or dim, natural or artificial. Accept a little fourth dimension to talk about the role of light and shadow in the work.^[6]

   • If you're talking about a two-dimensional work, similar a painting, your focus might be on how the artist creates the illusion of lite.
   • For a three-dimensional piece of work, like a sculpture, you could discuss how bodily light interacts with the work. For instance, is the surface reflective? Does the sculpture bandage interesting shadows? Are some parts of the sculpture more than shadowed or well-lit than others?

8. 8

   Brand annotation of the style shape is used in the work. Are the shapes in the work geometric, with straight lines and perfect curves, or are they more than natural? Is the work dominated by any one particular blazon of shape, or practice y'all see a variety of different shapes?^[vii]

   • Shapes play an of import role in both abstract and representative works. For instance, in a portrait of a bride past James Sant, there are notable triangle shapes made past the drapery of the bride's veil around her shoulders and the clasped hands in front of her chest.
   • One time you find one shape in a painting, wait to see if it is repeated anywhere else.

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1. one

   Talk over how the work uses the principles of composition. One time you accept described the work, it's fourth dimension to clarify it, or talk over how it all comes together. Start by talking about how the work is equanimous, keeping a few basic ideas in mind. For example:^[viii]

   • Remainder: How do the colors, shapes, and textures in the piece work together? Practise they create a balanced or harmonious effect, or is the piece imbalanced in some way?
   • Contrast: Does the piece of work make utilize of contrasting colors, textures, or lighting? Contrast can also be institute in the use of dissimilar shapes or contours, similar jagged versus curved lines, or geometric versus natural shapes.
   • Movement: How does the piece of work create a sense of movement? Is your center fatigued through the composition in a particular way?
   • Proportion: Do the sizes of the different elements in the piece of work appear the way you lot would expect, or are they surprising? For case, if the work shows a grouping of people, do whatever of the figures look larger or smaller than they would in real life?

2. 2

   Place the point(due south) of focus of the piece of work. ^[9] Most works of fine art have one or more points that are designed to catch your attending and describe your eye. In a portrait, this may be the face or eyes of the subject. In a still-life, information technology could exist a centrally-placed or well-lit object. Endeavor to identify which parts of the piece of work are emphasized.^[10]

   • Look at the work and make annotation of which feature(southward) bound out at you right abroad, or keep drawing your eye back to them.
   • Enquire yourself why your center is attracted to the feature(due south) in question. For example, if you find yourself fixating on i figure in a group, is it because that figure is larger than the others? Are they closer to the viewer? More brightly lit?

3. 3

   Look for themes in the piece of work. Identify a few key themes, and discuss how the creative person used the elements of pattern (colour, lite, space, shape, and line) to limited these themes.^[xi] Themes might include things like:^[12]

   • The utilise of a color scheme to requite the work a item mood or meaning. Meet, for case, the paintings of Picasso's Bluish Period.^[13]
   • Symbolism and religious or mythological imagery. For example, wait at the use of figures and symbols from classical mythology in Renaissance works similar Botticelli's "Nativity of Venus."^[14]
   • Repeating images or motifs within a work or group of works. For a good instance of this, look at how plants and flowers are used in many of the paintings of Frida Kahlo.^[xv]

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1. 1

   Try to place the purpose of the piece of work. In other words, what do you think the artist was trying to say with the piece of work? Why did they create the work? Try to summarize the overall significant of the work, as you see it.

2. ii

   Describe your ain reaction to the piece of work. ^[16] Now it'south fourth dimension to go a little more subjective. Think near how you feel while looking at the piece of work. What do yous think is the overall mood of the work? Does information technology remind you of annihilation (ideas, experiences, other works of art)?^[17]

   • Employ expressive language to talk nigh your reaction to the work. For example, is the mood of the work distressing? Hopeful? Peaceful? Would you describe the work as beautiful, or ugly?

3. 3

   Back upwards your interpretation with examples. Use examples from your description and assay of the piece of work to explain why you think and experience the way you practice about the slice.

   • For example, "I believe that James Sant'southward portrait of a immature helpmate is intended to give a sense of the bride's spiritual devotion. This is indicated by the line of the composition, which draws the viewer's eye upwards, post-obit the up gaze of the discipline. It is also suggested by warm calorie-free, coming from a source somewhere above the young woman."

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1. 1

   Decide whether yous call up the piece of work is successful or not. Your goal here isn't necessarily to decide whether the art is "good" or "bad." Instead, focus on whether y'all call back the work is "successful." For example, think about the following:

   • Do you think the piece of work says what the artist wanted it to say?
   • Did the artist use their tools and techniques well?
   • Is the art original, or does it imitate other works?

2. 2

   Explain how you are judging the work. In one case yous have decided on a few aspects of the work to judge, conspicuously state the focus of your evaluation. For instance, you might say that you are judging the slice on how well organized it is, how well washed information technology is technically, and how successfully it portrays the intended mood or themes.

3. 3

   Summarize why you lot think the work is successful or unsuccessful. In a few sentences, explain your judgment of the work. Give specific reasons for your judgment, using your interpretation and assay of the work.

   • For example, "I believe this work is successful because the utilise of lite, shape, gesture, and line all work together harmoniously to portray the mood of the subject."

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Add New Question

• Question

  What should I pay attention to when I'm critiquing art?

  

  Kelly Medford is an American painter based in Rome, Italy. She studied classical painting, drawing and printmaking both in the U.S. and in Italy. She works primarily en plein air on the streets of Rome, and also travels for private international collectors on commission. She founded Sketching Rome Tours in 2012 where she teaches sketchbook journaling to visitors of Rome. Kelly is a graduate of the Florence Academy of Art.

  

  Professional Artist

  Skillful Answer

  Consider how the slice of artwork makes y'all feel and what sort of firsthand reaction yous accept to it. Try to stay open to interpretation and view the piece without any preconceptions to go the most out of it.

• Question

  Why are fine art critiques important? What benefit can we proceeds from them?

  

  An art critique allows the artist to understand how they influence their audience. It also allows the audience/viewer to proceeds a improve understanding of that artists' work. (For example you could notice that a painting was influenced past WW1 and how the artist is linked to that event.) Information technology is also a spur to deciding what you really call back is the significant, even through disagreement with the critic.

• Question

  What is the artistic depiction of expiry and suffering chosen?

  

  Memento mori, the medieval Latin practise of reflection on death and bloodshed.

• Question

  In what pace of art criticism would you explain the intent expressed in the artwork?

  

  Intent is something that you lot would explore during the "Interpretation" part of the critique (Part three).

• Question

  Why does fine art look so deceptively easy?

  

  The job of an creative person is to make years of practice and experience look effortless; whether that exist a ballerina pirouetting delicately beyond a stage or a poet playing with his words. Surely that artist would expect at whatever y'all do and think you make it await like shooting fish in a barrel too. It's practice, cognition and certainty that makes information technology expect effortless even though it is far from so. Watch a beginner artist and you'll learn a very different picture of things!

• Question

  How practice I critique its originality?

  

  Miranda DerpFace Enterprises

  Community Answer

  Ask yourself some of these questions: Has information technology been washed many times before? Does it seem to follow a trend everyone else is following? Does it look similar to other art? If the answers are yes, then it might not be very original. If you've never seen anything like it before, then it's very original!

• Question

  Why do we critique artwork?

  

  Well, nosotros need ways to distinguish between fine art and nifty art, then critique helps us qualify what makes a skilful piece of fine art.

• Question

  What are the key points for evaluating art?

  

  Key points include the themes, focus and identifying the contrast, shapes, residuum as well every bit other principles of limerick.

• Question

  How practise I make a judgement overall on an artwork?

  

  Does the art say what the artist wants it to say? Did the artist employ the tools correctly? How does the art make me experience?

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• Recall, there is no i right style to critique a piece of work of art.^[eighteen] Your goal is not to say whether or not the art is good, but rather to clearly impart your understanding of, and reaction to, the art.

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Article Summary Ten

When you're critiquing artwork, outset with the facts nearly the piece, including the title of the artwork, the artist's proper noun, when and where the piece was made, the media used in the artwork, and the dimensions of the piece. Next, draw what you see, using the elements line, color, space, light, and shape as your guidelines. Use these components to describe how the piece comes together, and identify the focus of the work, and then offer your interpretation of the artwork. To larn how to express your reaction to a piece of artwork, keep reading!

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